RELATED TIBETAN SCRIPTS
Showing posts with label Guru Rinpoche. Show all posts
Showing posts with label Guru Rinpoche. Show all posts

Sunday, 26 February 2012

Punctuation treasures




'The indivisible unity of means and wisdom'
Chinese ink and mineral paint on Bhutanese  tsasho bark fiber paper, soaked in vermilion orange Japanese ink.  
35x52cm. ⓒ Tashi Mannox 2022.

The above art piece features a sign; made up of two small circles and a crescent moon shape ༔ is known in Tibetan as a Ter-tseg གཏེར་ཚེག་ When used as a punctuation mark at the end of a line of text or mantra, this tells us that the origin of the mantra or manuscript is a spiritual treasure called a Terma གཏེར་མ་ hidden by Guru Rinpoche or Yeshe Tsogyal for the benefit of future generations. 

A Terton is a title given to a spiritually realized person of the Guru Rinpoche linage who has the ability to discover or reveal Terma.

According to the vision of Terton Taksham Nuden Dorje, it is said the two circles symbolize means ཐབས་ and Knowledge/wisdom ཤེས་རབ་ and the crescent moon between them represents their indivisible unity ཟུང་དུ་འཇུག་པ། Although the Ter-tseg as a punctuation mark can also be written as only two ཿ circles without the crescent moon, such as Terma manuscripts from Mindrol Ling.
In the case of a Tibetan manuscript that is not a Terma, the ending of each line of text or mantra is a single vertical stroke called a shad ཤད་ = ། 

The Ter-tseg sign can also be called namche རྣམ་བཅད་ However, identical in appearance, it plays a different role in Tibetan scriptures. The namche has its origins in Sanskrit as two dots and can usually be found suffixed to singular syllables, such as the Sanskrit syllable hrīḥ ह्रीः Which in the Tibetan phonetics is written ཧྲཱིཿ 
In Sanskrit the two small circles called a visarga, has the effect on the root syllable of changing the pronunciation with a light out breath, that has been somewhat lost in the Tibetan pronunciation.

An example of the uses of both Ter-tseg and namche within the Tibetan written language is with the mantra of Guru Rinpoche, as shown below. Two circles are present with the second syllable of the mantra ཨཿ which originates from Sanskrit. The Mantra is then finished with a ter-tseg ༔ announcing that the mantra is of Terma in origin.

ཨོཾ་ཨཿཧཱུྂ་བཛྲ་གུ་རུ་པདྨ་སིདྡྷི་ཧཱུྂ༔


With thanks to the knowledgeable Jayarava for contributing to this short post.



Thursday, 2 December 2010

Guru Padma





༄། པདྨ་འབྱུང་གནས་ལ་ན་མོ།


For Tibetans Guru Rinpoche or Padmasambhava in Sanskrit, is regarded as the second Buddha, who historically came to Tibet during the 8th century to transmit Vajrayana Buddhism. At that time Tibetans were known to be wild and unruly, a land to be subdued of its demons. Guru Rinpoche, meaning precious guru, tamed and established Buddhism in Tibet, founding the first monastic community at Samye in central Tibet. This formed the today's oldest tradition called the Nyingma school, which is very much the foundation of the other great schools of Tibetan Buddhism.
As a devotional practice, Guru rinpoche is considered to over-come inner and outer obstacles and therefore furthers ones spiritual progress inwardly and ones outer activity.

Padmasambhava has many names such as Guru Padma and Pema Jungne which mean lotus born. Iconographically he is often depicted seated on a lotus, as above, representing the purity and transformation. His pure land, as much a mind state of liberation, is the place of the copper-coloured Mountain in the North-West part of the sacred realm of Orgyen.



© Tashi Mannox 2022




In the above calligraphy; the mantra of Pema Jungne is shown at the top in a high form of the Tibetan Uchen script, below which is the same mantra in an ancient Lantsha Sanskrit, the original written language from which much of the Buddhist teachings and practices were translated from into Tibetan. The mantra, very much a supplication of the attainment of 'siddhi' and blessing of body speech and mind. In Sanskrit the mantra is pronounced:

oṃ āḥ hūṃ vajra guru padma siddhi hūṃ

The smaller text and as the same in the calligraphy below is known as the 'Seven Line Prayer' of Guru Rinpoche: tsig dun sol deb, this translates as:

hum, to the North-West part of Orgyen, seated in a long stemmed lotus with anthers, such wonder! called lotus born - Pema Jungne, who achieved the highest of spiritual accomplishments and who is accompanied by myriads of Dakinis. I will act according to your example. Please come and grant me your blessing. guru pema siddhi hum.

© Tashi Mannox 2010

Here the seven line prayer has been arranged surrounding the main 'hum' character, the seed syllable of Yidam Pema Jungne. This is a study piece demonstrating the Petsug script style and to work out the layout for the final art piece as shown below. It is often the case when executing a major calligraphy art piece, where a large amount of text needs to fit the confines of a space, the size of the lettering and spacing needs careful consideration and planning.




Tashi adding the finishing touches the multi coloured lotus flower.


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ས་མ་ཡཿ རྒྱ་རྒྱ་རྒྱཿ





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